Dpreview finally reviews the Nikon D300

Dpreview finally has posted it’s long awaited review of the Nikon D300. Here is their strong conclusion:

“Nikon’s biggest problem now will be bettering the D300; it raises the bar to a new high, and represents the state of the art despite strong competition from the likes of Canon, Sony and Olympus. There’s simply no better semi-professional digital SLR on the market.”

New D300 firmware A 1.02

Nikon has released a new firmware A 1.02 for the D300 (downloadable at your Nikon site). Akkording to Nikon it solves a rare problem of vertical stripes if exposure is > 8 seconds.

D3 review by Richard Costin

Nature photographer Richard Costin has posted a D3 review:

“There is no denying it, this is an expensive camera aimed squarely at demanding pros and very serious amateurs, but is it worth the price tag? Based on my experiences thus far, Yes. Expensive it is but you get so much camera for your money. Especially in contrast to Canon’s £6000 megapixel upgrade, the 1Ds mkIII (not to say that that isn’t a fine camera, but it’s not for me).

All in all Nikon have delivered big time with the D3, and it represents definite milestone in DSLR history. When paired with the 200-400 I feel this now represents one of the best combination for wildlife photography that has ever been available. It is becoming clear that Nikon weren’t lying when they said this camera was designed exclusively based on real photographer’s requests, needs and feedback. Not perfect, but damn close! “

D3 and concert photography

Todd Owyoung posted his impressions about the Nikon D3 regarding high ISO performance based on his experience as a concert photographer:

For concert photography, the D3 is nothing short of manna from heaven for the Nikon shooter.

If you like concert photos, you will enjoy his site….

16:9 and an euphoric review of the Nikkor 14-24/2.8

16:9 has posted an euphoric review of the Nikon AF-S 14-24/2.8 lens:

“At 14mm, the Nikon 14-24mm gives us a whole new level of performance: it’s not so much that it rewrites the rules, it doesn’t seem to be aware of what the rules are . . . sharp, vignette-free corners at 14mm / f2.8? No problem! With performance this good at f5.6, I think we’ve just found a lens that may challenge the Leica 15mm f2.8 for the title of ultimate ultrawide. Without question, this lens is at least as good as the Zeiss 15mm f3.5.”

and

Is it perhaps the most impressive wide angle lens ever by a huge margin? Yes, and yes again.